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Posts Tagged ‘Adam Ravetch’

Polar Bears: A Summer Odyssey, filmed at Churchill Wild lodges, wins two Canadian Screen Awards

Polar bear posing for the camera near Seal River Lodge

Polar Bear Perfect Pose

 Polar Bears: A Summer Odyssey, much of which was filmed at Churchill Wild’s Seal River Lodge and Nanuk Polar Bear Lodge, was a big winner at the inaugural Canadian Screen Awards!

The Canadian Screen Awards celebrate TV, film and digital productions in Canada. Considered similar to the Golden Globe Awards in the United States, they are the result of a consolidation of Canada’s Genie and Gemini awards. The untelevised portion of the Canadian Screen Awards took place this past Wednesday and Thursday, and the final gala event in the celebration will be broadcast by CBC on Sunday, March 3 at 8 p.m. and hosted by Canadian comedian Martin Short.

Polar Bears: A Summer Odyssey won awards for Best Science or Nature Documentary Program or Series and Best Photography in a Documentary Program or Series. Directed by Adam Ravetch and Sarah Robertson of Arctic Bear Productions, the film was produced by Arcadia Entertainment in association with CBC’s Science and Natural History Documentary Unit.

“It is a great honour to receive both of these prestigious awards,” said Ravetch, who is also the Cinematographer of the documentary. “I know Arcadia TV, Sarah Robertson, Tim O’Brien and our production and post-production team are all grateful for the collaboration with CBC’s Caroline Underwood, David Suzuki, and The Nature of Things.”

Polar Bears: A Summer Odyssey, which was also produced in 2D for National Geographic, 3D for Sky TV,  and released on 3D/2D Blue Ray by Universal Pictures, tells the story of a teenage polar bear’s adventures in and around the icy waters of Hudson Bay, where he spends his first ice-free season during the summer without his mother to guide him as he struggles to survive on his own. Set against a background theme of climate change, The Nature of Things perhaps described the film best when they wrote:

“Watch the desperate acts of a bear pushed to the brink. Witness the wisdom and commitment of a protective mother bear. Observe the seemingly ferocious social rituals of massive male bears. Polar Bears: A Summer Odyssey features breath-taking cinematography capturing rarely seen bear behavior including the young bear climbing a 250 meter cliff in search of a meal and a bold male who has learnt the art of hunting walrus.”

Polar Bear Movie Film Crew: L to R Andy MacPherson, Stewart Mayer, Adam Ravetch, Indy Saini

A Happy Polar Bear Film Crew! L to R: Andy MacPherson, Stewart Mayer, Adam Ravetch, Indy Saini

Images for the film were captured using a myriad of cameras including a remote-control truck cam, a heli-cam, a polar bear collar cam and numerous underwater cameras. In our original blog post about the filming, 3D Polar Bear Movie filmed at Seal River Lodge, guide Andrew MacPherson described a day on the set.

“There wasn’t a day during the filming when we didn’t find some kind of interesting bear activity, interaction or social behavior. Adam’s movie unfolded in front of us daily, but we won’t see the final result of his efforts for a while. We were excited to be a part of the creative process and can only imagine what Adam will weave together with all the incredible footage he recorded.”

Ravetch admits he became addicted to close-up wildlife photography when he filmed polar bears underwater for the film To the Arctic.

“Water is 800 times denser than air,” he said. “So you had to get really close to the animals to actually see them. Not only was that experience a high-energy adrenaline rush, but when you get that close to a wild animal it becomes a very intimate personal experience. You really get to know the animals. I wanted the audience to have that same experience.”

“I wanted them to really connect with the polar bear’s struggle for life,” continued Ravetch. “And the only way to do that was to get up-close imagery and wrap it into an intimate story. At the same time we had to get the bears to relax and let them go about their business. We were able to stay with a mother and two cubs, for week in the fall. That enabled us to get a lot of natural behavior.

Ravetch went on to say that making a film like this requires a team of very talented creative people, both during and post production.

“Every film is a collaboration,” he said. “This isn’t just you and your camera. It requires a lot of talented people to tell a good story. Mike and Jeanne Reimer, their family and their guides at Churchill Wild are invaluable. They have specialized knowledge of the territory, the wilderness and life-long experience with the polar bears. Their family-run operation at Churchill Wild is very unique in that you can get very close to the polar bears in a safe manner. It’s very remote yet you have all the comforts of home. You’re not camping out. They have beautiful lodges and a one of a kind experience you can’t find anywhere else. Great food, cocktails, cozy and comfortable accommodations, smack right in the middle of the tundra on Hudson Bay in the center of polar bear country.”

“It’s a huge challenge to film in 3D in the arctic,” said Ravetch in an earlier blog post, Churchill Wild polar bears to appear on CBC’s The Nature of Things in Polar Bears: A Summer Odyssey.

Churchill Wild’s Mike Reimer and polar bear guides Terry Elliot and Andy MacPherson were essential in getting very specific polar bear shots, especially of a young male polar bear, so that we could have the type of imagery to tell a strong character driven story. The guides have to have experience specifically with polar bears. They concentrate on safety so we can focus on camera angles and getting the shots we need. Being up close with the bears is quite spectacular for a filmmaker, but safety is paramount. The last thing we want is for a person or a bear to get hurt. You’re not in a cage or a vehicle; you’re at ground level with the polar bears. I’ve always worked at ground level, but there are very few places where you can photograph polar bears like this. Seal River and Nanuk are among the best places on the planet for this type of wildlife photography.”

Polar Bears: A Summer Odyssey - 3D film crew in action near Seal River Lodge.

Polar Bears: A Summer Odyssey - 3D film crew in action near Seal River Lodge

“Filming in 3D was much more work. But we wanted immersive images so the audience could experience what it’s really like to be up close at ground level with polar bears. It required multiple cameras operating at the same time to produce the special 3D effects and three of us including Stereographer Indy Saini and Camera Engineering Specialist Stewart Meyer to get the distances between the objects and between the lenses just right. Stewart also developed a smaller mobile camera system that could produce some very rare images.”

In Sun sets on a polar bear at Nanuk, guide Andrew MacPherson described some of the filming that took place at Nanuk Polar Bear Lodge.

“A beautiful four or 5-year-old female polar bear moved towards us in the glow of late afternoon light. She hopped numerous small streams and slid effortlessly through the grass, providing us with some amazing footage. She stopped to the sound of my voice when she was about 30 meters away, then casually moved around us to the seaward side, giving us the over the shoulder looks as she passed by. We quickly packed and played leap frog with the bear all the way back to the Misatkoken River, where she sniffed out our poor unfortunate friend. That was where we left her at twilight, outlined in golden light, standing on the crest of the beach ridge.”

Ravetch went on to explain how polar bears have their own their own society. How each bear has their own personality and different character attributes. And that when you get to know the bears, you start to understand how and why they interact with each other the way they do; how they teach their offspring to survive in the wilderness; and how much they worry about their young. In other words, polar bears are a lot like us.

“This is a film about one of the biggest stories of our time,” said Tim O’Brien of Arcadia Entertainment. “Climate change and its impact on our natural world. Specifically the polar bear population. Somehow we managed to tell a very dramatic and personal story about the journey of one bear. And, that’s really a credit to Adam Ravetch and all the many people and organizations like Churchill Wild, who made it happen.”

A movie you don’t want to miss, Polar Bears: A Summer Odyssey will soon be available in major online retail outlets.

Sun sets on a polar bear near Nanuk Polar Bear Lodge

Sun sets on a polar bear near Nanuk Polar Bear Lodge

 

Churchill Wild polar bears to appear on CBC’s The Nature of Things in Polar Bears: A Summer Odyssey

Polar bear being filmed at Seal River

Filming polar bears at Seal River. Photo Credit: Nick Garbutt

Special to Churchill Wild
by +George Williams

If you’ve ever wondered what it’s like to visit the polar bears at Seal River Heritage Lodge or Nanuk Polar Bear Lodge, you’ll want to make sure to watch the world premiere of Polar Bears: A Summer Odyssey on Sunday, April 8 at 7 p.m. on CBC TV’s The Nature of Things with David Suzuki. You’ll see some of our Churchill Wild polar bears!

The wildlife documentary, much of which was filmed over a 12-month period in the vicinity of Churchill Wild’s polar bear lodges, tells the story of a young male polar bear who must survive his first summer alone on land without his mother, after the ice breaks up early on Western Hudson Bay and prevents him from hunting seals. The youngster’s struggle to survive is back-grounded and influenced by one of the most important environmental stories in history: climate change.

Directed by Adam Ravetch of Arctic Bear Productions and produced by Arcadia Content in association with CBC’s Science and Natural History Documentary Unit, Polar Bears: A Summer Odyssey features stunning images shot with eight different types of cameras including: a polar bear collar-cam; a remote control truck-cam; a mini heli-cam and several underwater cameras.

“Filming in 3D was much more work,” said Ravetch. “But we wanted immersive images so the audience could experience what it’s really like to be up close at ground level with polar bears. It required multiple cameras operating at the same time to produce the special 3D effects and three of us including Stereographer Indy Saini and Camera Engineering Specialist Stewart Meyer to get the distances between the objects and between the lenses just right. Stewart also developed a smaller mobile camera system that could produce some very rare images.”

Churchill Wild’s Mike Reimer and polar bear guides Terry Elliot and Andy MacPherson were also essential in getting the ultimate polar bear shots.

“It’s a huge challenge to film in 3D in the arctic,” said Ravetch. “The guides have to have experience specifically with polar bears. They concentrate on safety so we can focus on camera angles and getting the shots we need. Being up close with the bears is quite spectacular for a filmmaker, but safety is paramount. The last thing we want is for a person or a bear to get hurt. You’re not in a cage or a vehicle, you’re at ground level with the polar bears. I’ve always worked at ground level, but there are very few places where you can photograph polar bears like this. Seal River and Nanuk are among the best places on the planet for this type of wildlife photography.”

Polar bear sees reflection on Hudson Bay.

Reflection of a polar bear. Hudson Bay.

Ravetch is no stranger the arctic. He and Sarah Robertson co-directed Arctic Tale for National Geographic. Ravetch also directed some amazing in-field sequences swimming with polar bears and walruses for the IMAX production To The Arctic and was cinematographer for one of the segments on the BBC series Frozen Planet, to name just a few of his many illustrious wildlife and nature film credits.

Ravetch sometimes camps out for 4-6 weeks at a time while making his films in the arctic, which makes for a very serious and sometimes dangerous adventure (see full interview here), but Churchill Wild was lucky to have him and his crew as guests at Seal River Heritage Lodge and Nanuk Polar Bear Lodge during various segments of the filming process in 2010 and 2011.

“I woke up to Jeanne’s (Reimer) omelettes every morning,” said Ravetch. “Churchill Wild offers people the very unique experience of getting up close on the ground with the polar bears. Within a day of a arriving at the Lodge people can see polar bears on the tundra. But they still have a warm safe bed at the Lodge to come back to, and of course the delicious food.”

Thanks Adam! And just to clarify for future guests, Churchill Wild doesn’t actually “own” any polar bears.

They simply get close to them.

Polar bear at sunset near Seal River Heritage Lodge.

Nature at its finest.

Gettin’ Busy: The awesome drama of how polar bears mate

Polar bears wrestling at Seal River Heritage Lodge on the Hudson Bay coast in Manitoba, Canada.

The drama continues at Seal River Heritage Lodge. Photo Credit: Gary Potts

Have you ever wondered exactly how polar bears get intimate? They appear so ferocious when they wrestle, as many Churchill Wild guests would verify. Wrestling polar bears are a regular feature in the fall season and are often the subject of the most prized photos guests take.

But how do those cute, cuddly polar bear cubs come into this world and make their way to Churchill Wild’s Seal River Heritage Lodge or Nanuk Polar Bear Lodge? We know the birds and the bees but what are the down and dirty details?

What ritual brings the cubs into this world so guests on walking tours through polar bear country can see them – an experience that only Churchill Wild offers? The mating rituals and incredible photos and footage are part of a highly anticipated documentary for the BBC’s Frozen Planet series.

Few humans have ever witnessed the intimacies and drama involved. But now, for the first time, it has been filmed in its entirety for the BBC’s new Frozen Planet series, presented by Sir David Attenborough.

Polar bears high-five each other at sunset on Seal River. Photo Credit: Wendy Kaveney.

An article written by Executive Producer Alastair Fothergill appeared on the UK Daily Mail Online website. The article introduces the episode with some incredible pictures and information about the soon-to-be-aired special.

In 2007 Fothergill worked on another project called Earth which also featured the cinematic mastery of Adam Ravetch. Ravetch’s incredible imagery can be seen in other productions such as Arctic Tale, which featured the talents of Hollywood heavy-hitters Queen Latifah and Preston Bailey. Bailey played Michael C. Hall’s lovable stepson Cody on the Showtime Network’s number one show Dexter.

Adam Ravetch is a good friend of Churchill Wild. He has spent the last two years at Seal River and Nanuk. More details of the film will follow but we can tell you it is slated to air on CBC’s Nature of Things (which stars environment guru David Suzuki) in Canada, and on National Geographic in the United States and internationally. There will be a regular version but the really exciting part is that there will be a 3D version! We’ve seen the preliminary footage and it is going to be AWESOME!

Below is a small sample of what’s to come, which we posted on the Churchill Wild YouTube Channel last spring. Andy MacPherson, polar bear guide extraordinaire, wrote a blog post about his experiences guiding Ravetch and his film crew.

YouTube Preview Image

Ravetch also gave us another preview video that we will be posting soon. Keep tabs on the Churchill Wild YouTube Channel, our Arctic Adventure Travel Blog and the Churchill Wild Newsletter. When Ravetch gives us the green light to release all the information about this production, you will be the first to hear about it.

You can sign up for the Churchill Wild Newsletter here.



Sun sets on a polar bear at Nanuk

Polar bear at sunset Nanuk Polar bear Lodge

Sun sets on a polar bear...

by Andy MacPherson

After changing the batteries and cards on the Go Pro cameras we were using to see who had been feeding on a two-week old bear carcass, we continued heading east through the grassy coastal flats of  Hudson Bay at Nanuk Polar Bear Lodge.

The “We” I’m referring to is Adam Ravetch of Arctic Bear Productions and his film crew, who came to Nanuk to film some fall polar bear activity for his upcoming film to be released in 2012. The Go Pro camera has been filming a variety of critters large and small, all coming to feed on the remains of an unfortunate bear that passed along we think due to injuries and infection, possibly due to the usual, battling for females earlier this past spring. We should know the full details of his demise soon, as Conservation officers flew in this past week and checked him out. We’re hoping they’ll pass along their findings.

We were hoping to find a few bears going about their daily business of sleeping, wandering or being led by their nose to anything deserving of their interest. We spotted our third bear of the day lounging contentedly out on the tidal flats, disappointingly just a little out of our reach.

Ground level polar bear photography at Nanuk Polar Bear Lodge

Polar bear photography up close and personal

We tried to get closer, but the Hudson Bay mud was a little too intimidating, causing us to leave an empty boot behind with every step forward. The bear was 150 meters away – secure as gold in Fort Knox – lazily watching our failed attempts to reach him over his left shoulder. Adam reluctantly admitted defeat to the mud and we made our way back to the chariot. But that turned out to be a good thing.

As soon as we reached the chariot we spotted another bear moving towards us from the east. At the same time we also noticed fellow guide Gordy and his buggy full of guests paralleling the bear at a distance. We moved a little closer, set up our camera gear and waited. We weren’t disappointed this time.

A beautiful four or five year old female polar bear moved towards us in the glow of late afternoon light. She hopped numerous small streams and slid effortlessly through the grass, providing us with some amazing footage. She stopped to the sound of my voice when she was about 30 meters away, then casually moved around us to the seaward side, giving us the over the shoulder looks as she passed by.

We quickly packed and played leap frog with the bear all the way back to the Misatkoken River, where she sniffed out our poor unfortunate friend. That was where we left her at twilight, outlined in golden light, standing on the crest of the beach ridge.  All caught on the cameras of Adam Ravetch and…

soon to be a star on the big screen.

3D Polar Bear Movie filmed at Seal River Lodge

by Andrew McPherson, Polar Bear Guide

Polar bear poses for the 3D movie crew

Polar bear poses for the 3D movie crew

Working with Adam Ravetch and his film crew for the last few weeks of the season at Seal River Lodge was a fabulous experience. Every day brought new amazing wildlife encounters and guiding demands. Adam had all kinds of great ideas and new directions he wanted to take the film in, and he imaged them into existence with the help of his two crew members Indy and Stewart and their 3D cameras.

We got off to a good start when we found three bears bedded down out on a small frozen lake beyond the runway. One bear was on a small esker watching our approach. The other two were laying a short distance apart on the edge of the lake.

The closest bear lifted its head, watching us as we watched him. This resulted in a game of red-light green-light. Every time he lifted his head we stopped…. until he put his head down and closed his eyes, then we started moving again, slowly approaching.

Polar bears gather to discuss movie on Hudson Bay

Polar bears gather to discuss movie

We moved like this until we found a suitable spot to set up Adam’s camera. Then the bear decided to move downwind to catch our scent and get a better idea of just who and what we were all about. Bears trust their noses far more then they trust their eyes.

Once this bear got our scent figured out and decided we weren’t a threat, he made himself comfy – laying down and stretching out on the ice, cooling himself off, rolling over on his back – generally making a ham of himself for our camera. Great comedic footage!

Setting up the 3D cameras with remote access

Remotely operating the 3D cameras on the ice

At the same time, Mike and Stewart showed up with the remote camera, to go after the always-elusive bear-sniffing-camera-lens-in-3D shot he’d been attempting to get for the last week – maybe this time. They set up their camera near the second bear sleeping in the bush just off the ice. The camera had a 25 foot cable attached to it so the operator could move around and still focus the camera on a moving subject as it approaches. It was mounted at a height approximating a polar bear’s point of view, or POV in tech talk.

The sleeping bear got up and approached the camera, but he was very hesitant. Clearly troubled by the unfamiliar device, he came closer, backed away, then approached again with head lowered – we had a very serious bear staring into the camera. He didn’t like it, but he gave us an amazing eye-level sequence of how two bears might approach each other.

Polar bear takes a bite out of the deck at sunset

Polar bear takes a bite out of the deck at sunrise Photo Credit: Nicole D. Boucher

The bear never did get right up to the camera, but when he lost interest in that he became more interested in us, slowly approaching and giving us a great 3D shot for the film. Imagine a polar bear’s head poking out of your TV screen, full frame, from the shoulders to the tip of its nose.

We had to let the bear know we didn’t want to play with some stern words and aggressive behavior, and after posing and giving us a good sniff, he moved off with his buddy, who had watched all the action from his semi-reclined position in the second row.

We followed the pair and a short while later found they had been joined by two more bears on the next lake over. By the time we spotted them, they had paired off and a donnybrook was already in session. I could have sat back and watched – it was a live WWE event – but we had an opportunity to shoot more amazing footage, so off we went.

Unfortunately, when the bears caught site of us, they decided to come in for a closer look. It’s a good thing we knew that they don’t cooperatively hunt, because having four polar bears calmly walk towards you would probably otherwise be conceived as an unnerving situation.

Polar bear movie crew at Seal River Lodge

Polar bear movie crew at Seal River Lodge

But two of the bears quickly lost interest and only the smallest (600 lbs) of the other pair seemed really interested in us. His approach was somewhat aggressive, coming in fast and curious, so we let him know he wasn’t that welcome. That was enough to turn him around and send him back to his buddies for some three-way sparring action.

The smaller bear was being picked on from each side by each of the larger bears and he playfully turned to engage whichever bear was nipping. The small bear eventually began to spar with only one of the bigger bears, and when they stood up we finally realized the substantial size difference. The smaller bear was at least three feet shorter, but still game, even when he was being knocked off his feet – more great footage!

Polar bear napping between takes

Polar bear napping between takes

There wasn’t a day during the filming when we didn’t find some kind of interesting bear activity, interaction or social behavior. Adam’s movie unfolded in front of us daily, but we won’t see the final result of his efforts for awhile.

We were excited to be a part of the creative process and can only imagine what Adam will weave together with all the incredible footage he recorded. With the kind of talent that was behind (and in front of) the cameras, this is going to be a movie you don’t want to miss!